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Stealth play early on makes way for chase sequences, escaping in cars, third person shooting, and much more besides. Where the game shines is in the action sequences, which keep changing things up, sometimes asking you to choose between Vincent’s and Leo’s different approaches. There’s fairly regular area exploration scenes with very light puzzling, but they’re engaging in how you can talk to people in these areas and find little mini-games and fun things to do, from off-brand Connect Four to playing baseball. There’s a great amount of variety to be found through the game’s seven to eight hours, with developers Hazelight always trying to find a new slant to put on a scenario, whether it’s in how it’s presented or what they ask you to do. Escaping prison is just the first part of a story that sees the pair going on the run, reconnecting with their families and pulling favours from acquaintances on their trip. It’s a pretty classic set up in that regard, and so too is the conveniently shared desire for revenge on someone that has done both men wrong. They find themselves almost forced together as Vincent is placed in the cell adjacent to Leo and happens to be in the right place at the right time to help him out of a few fights, and it’s from there that they hatch their escape plan piece by piece. The game’s two leads, Vincent and Leo, are strongly contrasting characters, with Leo all rash decisions and violence, but with a charming simplicity to his world view, while Vincent tends to approach a situation more cautiously to avoid conflict, but won’t hold back on throwing a few punches when he needs to. One excellent chase sequence seamlessly switches from one character to the next in a single flowing camera shot that passes through doorways, vents and corridors, effortlessly passing control from one player to the other. For most scenes there’s an even vertical split down the middle, but that can change to horizontal for certain action scenes, shrink one side and grow the other, sweep across so there’s just one viewpoint being shown, and so on. What’s fascinating is the way this presentation shifts back and forth, drawing focus to certain plot beats in one part of the screen, but allowing the other player to carry on doing what they want on the other, potentially even messing around in the background. It’s a key hook for the game, but does it have the story and gameplay to back it up?

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This is a game that’s been built from the ground up for couch co-op, and while you can play online with another person – you can share it for free thanks to the Friends Pass version of the game, and you will need someone to play with one way or another – you’re always seeing both sides of the action. The first thing that strikes you about A Way Out is the split screen presentation.

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